) 1 steep - 2 less steep - BUT you can allso use it to Blow up Low freq.'s when boosting the resonance with the cutoff set at LOw freq. > High pass ( cuts away Low or BASS freq. > depending wich Osc is sinced ( try it out ) changing the pich of 1 of them will result in a pure harmonical change ( you won’t hear the pich altering - but only the " caracter " of the waveģ ) Next step could be filter positions ( put filter 2 in highpass and reso at 0 for the time being ) so every frequecy passes…ġ > Filter 1 is allways in LOWPASS > so it will take away the high frequencies ( To make the sound " articulate " > High resonance - settings + turn the Cutoff AND LISTEN !Ģ > Ones U found something that resonates with you > make variations in all sync options and sync-depth Try to start at this page when making a new sound …īut put off all modulation as OFF far as possible = LFO’s destinations 0Ģ ) Try out different pich - settings for both ossc. The pulsewith depth and position +++ The relative pich of > in the A4 the sync result allso dépends alot on > al the OSC wave choises + all sync options There’s 4 big parts that play a major roleĤ ) Time variants ( modulation ) for 1) - 2) and 3)ġ ) for the A4 there are many different poss. Syntorial hands down the easiest and fastest way to gain knowledge on synthesis. The KEY is Timbre, Modulation a lot but subtle and well programmed then, Harmony with delicious chords … don’t forget PAN in some cases (for crazy stuff maybe Wavetable and Granular) Then study a bit of harmony because, with my experience and opinion some delicious sounds is often build with harmony in mind… But with always the same formula, so use harmony to build some exotic chords, chords and harmony is so important really Then Select in your favorite synth, your favorite sounds, the one you expect to use/build/use as a start point in your music family or personal vision of what you want to go… personally and DO REVERSE ENGINEERING (I mean put OFF effects, some modulation in matrix, observe what OSC is use, what Filter in action, what ADSR model then hear the Modulation, and Hear the FX So, to sum up: experiment, experiment, experiment.
There are also good books like “Designing sound”.īut the key (for me, at least) is this “turning the wrong knob” skill, which I try to improve all the time. There are loads of tutorials all over the internet, which should give you an idea of how certain sounds are made. Of course you have to have some basement sound to tweak the hell out of it.
I was so excited that finished this track in two hours. After a while I decided to come back and see what else I could do, and for some reason turned tempo knob up to 220 BPM and the result was astonishing. I was very disappointed and even abandoned this project. I started with my usual sound at 180 BPM and it was just not working at all. My favorite example that comes to my mind is about one remix that another artist asked me to make. Trust me you are going to love how deep this guy goes into the functionality of the synths.The craziest sounds I came up with were from accidentally turning the wrong knob in wrong direction I usually have some idea in mind, but because of this the result is completely different from what I have expected. P.S.: if you are going to buy it, buy the lesson pack too. Some group challenges are immensely difficult, some settings can make your ears hurt and you spend a lot of time listening to noise.įor me it was worth it, but it's definitely hardcore (although you can use the hint button to speed up the process).
#First 22 lessons in syntorial free#
If you don't have a lot of free time, don't expect to finish it in less than four-five months. Which is good cause you learn the basic skills and you can dig as deep as you want later on.Ģ. You won't get a deep explanation of why it sounds that way. You'll get an explanation of how something sounds.
Two things to consider if you want to try it:ġ. I haven't used my creativity on them a lot tho so I dunno yet.
#First 22 lessons in syntorial how to#
I'm feeling confident with knowing how to use them and how to recreate other sounds with them. Producing Basics (Compression, EQ, Staying Motivated included here!) These rules, are in place to keep content fresh, current, and moving forward, not to denounce your post as Incorrect or stupid. Remember, everything is subjective, and there are no rules when it comes to making music.